Unveiling the Dark Legends: 3 Horror Movies and Their Varying Results.

Dark Legend: Children in Central America have been taught to fear La Llorona for generations, and the production of three horror films depicting her story over a three-year period did nothing to ease one’s worries. He is a tragic legend, one of the more famous stories. According to the more widely accepted version of the myth, she swims above the water wearing white funeral robes searching for her missing children. Less pleasant versions of the story claim that she kidnaps children to take her children’s place, while some claim that she wants revenge on cheating husbands. Despite the reasons for La Llorona’s crying, most of those who tell her story warn that if you hear La Llorona’s screams, it’s already too late.

The fact that La Llorona’s story has been portrayed in horror films since the debut of the Mexican film La Llorona in 1933 first attracted the attention of many filmmakers to her story. La Llorona continued to influence the genre; His story was featured in the 1963 Mexican film La Maldision de la Llorona (The Curse of La Llorona), the 2006 film KM 31: Kilometro 31, and most recently in the 2013 film Mama, directed by Andy Mushietti and written by Guillermo del Toro. But Hollywood’s interest in his narrative has never been as evident as it has been recently.

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What is the legend of La Llorona?

La Llorona, also known as “The Crying Woman” or “The Weller”, is a fiery Mexican ghost who wanders close to the waterways, lamenting for the drowned children after discovering that she had an affair with her husband. His story is repeated as a warning to young children about traveling alone in the dark or close to water, and it has a long history in Mexican popular culture. Although La Llorona mythology was first recorded in Mexico City in 1550, regional versions of the myth can be found in many Central American tribes.

In this folktale La Llorona is generally portrayed as Maria, a stunning woman who marries a wealthy conqueror and gives birth to her two children. When one day Maria finds out that her husband is having an affair, she loses control of herself and drowns her children in the river. She drowns herself but is unable to move on to the next life as she feels intense guilt over the murder. Maria is forced to spend all eternity in a torture and wander earth as a soul in search of her children. The narrative of La Llorona depends on where it is told, as in regional myths.

Locals in Guatemala told the story of a Guatemalan City woman who had an affair and later became pregnant. She killed her newborn child in the river to hide evidence of an affair with her husband. She was sentenced to search for eternity in every body of water she could discover for her drowned son. When compared to the history of Venezuela, this legend comes to the fore as it is set in the Los Lanos area and has the story of a widow who sadly committed suicide after the slaughter of her children. Even in the American Southwest, simplified descriptions of the legend of La Llorona are used to discourage children from exploring dangerous places themselves.

La Llorona (2019)

Locals in Guatemala told the story of a Guatemalan City woman who had an affair and later became pregnant. She killed her newborn child in the river to hide evidence of an affair with her husband. She was sentenced to search for eternity in every body of water she could discover for her drowned son. When compared to the history of Venezuela, this legend comes to the fore as it is set in the Los Lanos area and has the story of a widow who sadly committed suicide after the slaughter of her children. Even in the American Southwest, simplified descriptions of the legend of La Llorona are used to discourage children from exploring dangerous places themselves.

The plot focuses on the family of former dictator Enrique Monteverde, drawn up by the real dictator Mont, as he faces trial for crimes committed under his direction. Despite being declared guilty by the newly established administration, Monteverde has escaped punishment for his actions, and demonstrations are underway in front of his house. Monteverde had almost shot his wife because of the sound of a woman crying overnight, after which most of the staff in his house resigned, which led to the lone homeowner hiring another Kakchikel woman from his community to work as a maid. Due to the continuous protests, everyone is imprisoned inside the house.

Where Monteverde and his wife Carmen are experiencing an increasing number of paranormal events. The film’s dramatic conclusion shows Alma as the ghost of a woman named La Llorona, who was killed by Monteverde for watching his soldiers drown their children. She takes control of Carmen, who strangles her husband to death in an unconscious state and remembering Alma’s final moments.

The Curse of La Llorona (2019)

The Curse of La Llorona serves as the sixth entry in Michael Chaves’ first feature film, The Conjuring Connected World. Despite theoretically succeeding in box revenue, the film, which had its world premiere in South by Southwest before going to theaters, received negative reviews upon release and was the least successful in the Conjuring trilogy.

The Curse of La Llorona serves as an indirect original narrative for the ghost. The first scene shows a family having fun on a farm in 1600s Mexico when the youngest child gives his mother a necklace, which she vows to cherish forever. Later, during the walk, the young man gets a chance to see his brother brutally drowning in the river in front of his mother. Enraged by what he just saw, he flees but is unable to get ahead of La Llorona.

Linda Cardelini plays Anna, a social activist investigating a runaway case involving Patricia Alvarez’s two children in Los Angeles in the 1970s. After Patricia attempts to attack her, she goes to Patricia’s house and finds the boys chained in a room, which she leaves saying they were there for safety. The next day the boys were found dead in a local river and Patricia is the prime suspect. In order to get Anna’s children, whom La Llorona brutally hunts down during the next two days, Patricia is shown praying to the raging ghost who was chasing her family to bring her boys back to her. Ana and her family are helped by a Catholic priest and a folk ojha in Mexico.

The Legend of La Llorona (2022)

The 2022 film The Legend of La Llorona, written and directed by Patricia Harris Seeley, premiered in theaters for a short time before becoming available on streaming services next week. The film received mixed reviews from critics, and its disappointing 7% Rotten Tomatoes score didn’t help it stand out among other recent low-budget horror releases.

The film begins by setting the story of Maria, a 1600s Mexican woman who was hanged for her horrific crimes. This is similar to the beginning of 2019’s The Curse of La Llorona. Unaware of the history of the place they are living in, a bereaved family from California decides to spend the holidays in the same part of Mexico as a means of reuniting after the recent tragedy. Their motel is surrounded by hills where a restless soul lives and his eyes are on his little child.

There are many reasons for the response this version received. Audience expectations for the Danny Trejo horror film were severely disappointed due to the apparent lack of direction, the apparent caricatures of Mexicans, the conflicting tone in the dialogue, the title character’s treatment as a “twist”, and a dial-in acting. Poor resolve that suggests defeating a tamasic spirit only needs to be shot with a shotgun.